Author and critic Garth Greenwell and TYR senior editor Maggie Millner will read from their work and discuss writing as desire. Moderated by TYR’s Editor-in-Chief, Meghan O’Rourke.
Presented as part of The Yale Review’s Spring Festival.
Co-sponsored by the Yale English Department, the Yale Institute of Sacred Music, and the Poynter Fellowship in Journalism.

Scott Mandelbrote, Director of Studies in History and Perne Librarian at Peterhouse, Cambridge, will discuss the discovery of Isaac Newton’s notebook from the late 1670s, by John Wickins, Newton’s friend and contemporary at Trinity College, Cambridge. This talk will discuss how the notebook was acquired for the Cambridge University Library, its significance for their collections and the study of Newton’s career in the history of science, and how the book trade uncovers new historical knowledge and importance of collecting for institutions.

Women have been involved in the printing and production of books in what became the United States since Elizabeth Glover established a press in Cambridge, Massachusetts, in 1638. After the passage of the Fugitive Slave Act of 1850 forced her to flee the United States, Mary Ann Shadd, an African American woman, founded and published The Provincial Freeman, an antislavery newspaper, in 1853 in Ontario, Canada.

What is the response when ten women are killed every day in Mexico just because of their sex and gender? What organized actions are there to mourn this loss, to protest the forced disappearance of more than 100,000 persons, and resist the ongoing militarization of the country? Mothers, citizens, journalists turned activists—all of them “women who fight” –describe their passionate search for answers in this special session of Art & Protest.

Collected over the course of more than 125 years, the materials in Subjects and Objects pose questions and highlight contradictions: How did the term Slavic collection come to encompass materials from so many lands, cultures, and languages that lie beyond that linguistical designation? How did Russia come to symbolize this region for Western observers—and why does that impression persist?